A pedagogia do evento teatral Corporeity can be shown as an important study element of the relations between individuals, indicating a singular modus for the development of cognitive-affective processes. The aim of this study was to develop a reflection, starting from The aim of this study was to develop a reflection, starting from the analysis of a creative process that involved the realization of a poetic-theatrical experiment, in order to investigate how the dynamics between the word and the subtext were processed, using corporeity as argument for the explanation of the signification process. The thesis that I defend is that corporeity is the element that propitiate the process of signification, and the subtext being the in-between-place of this communication, establishing this dynamic as a pedagogy of the theatrical event.
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